“Racism’s Last Word,” Critical Inquiry 12.1 (1985): pp. 290-299.
“A memory in advance: that, perhaps, is the time given for this exhibition. At once urgent and untimely, it exposes itself and takes a chance with time, it wagers and affirms beyond the wager. Without counting on any present moment, it offers only a foresight in painting, very close to silence, and the rearview vision of a future for which apartheid will be the name of something finally abolished. Confined and abandoned then to this silence of memory, the name will resonate all by itself, reduced to the state of a term in disuse. The thing it names today will no longer be.”